Yaman
| Thaat | Kalyan |
|---|---|
| Type | Sampurna |
| Time of day | Evening |
| m = Tivra M | |
| Arohana | 'N R G m D N S' |
| Avarohana | S' N D P m G R S |
| Pakad | 'N R G / R G / R 'N R S P m G R / 'N R S |
Lydiam mode in Western.
devotional chant: SRI AUROBINDO: MA
Aanandmayee Chaitanyamayee Satyamayee Parame
Khayal bandish : 'ae ri aali piya bina'
Ae ri aali piya bin , sakhi kal na parat mohe , ghari pal chhin dinn ,
jabse piya pardes gawan kinho , ratiya katat mori taare gin gin
Ghazal : 'Ranjish hi sahi' ; 'aaj jaane ki zid ' , 'mujhe tum nazar se'
Bollywood :
60s-70s : 'naam gum jayega' ; 'jab deep jale aana' ; 'chandan sa badan' ; 'huzoor is kadar se ' ; 'wo jab yaad aaye bahut yaad'
Bihaag
| Thaat | Bilaval |
|---|---|
| Type | Audav-Sampurna |
| Time of day | night, 9-12 |
| Arohana | 'N S G m P N S' |
| Avarohana | S' N D P m P G M GR S |
| Pakad | 'N S G M P M P G M G R S |
Khayal:
Lat uljhi suljha ja balam ; kaise sukh sowe ;
Ghazal:
Bollywood :
60s-70s : 'zindagi ke safar me guzar' ; 'boliye surili boliya' ; 'koi gata mai so jaata' ; 'tere sur aur mere geet'
MaruBihag
Bollywood :
60s-70s : Tum to pyar ho sajna ; Payel waali dekhna
Kedar. (for Shiva)
| Arohana | S M G P D N Ṡ |
|---|---|
| Avarohana | Ṡ N D P M̄ P M R S |
Hum Ko Man Ki Shakti Dena
Malkauns
Arohan: 'n 'S g m d n S
Avarohan: S' n d m gm g S
Thaat: Bhairavi. ;late night ; Godess Parvati/Durga
Ya Chandi
Om Namah Shivay
Man Tarpat Hari Darshan Ko